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Foo Fighters discography
 Foo Fighters frontman Dave Grohl performing in 2005 | ||
| Releases | ||
|---|---|---|
| ↙Studio albums | 6 | |
| ↙Live albums | 3 | |
| ↙Extended plays | 3 | |
| ↙Singles | 28 | |
| ↙Video albums | 3 | |
| ↙Music videos | 22 | |
| ↙Other appearances | 31 | |
| References and footnotes | ||
The discography of Foo Fighters, an American alternative rock band formed in 1995 by Dave Grohl, consists of six studio albums, two extended plays (EPs), three video albums and twenty-eight singles. Foo Fighters consists of Grohl (vocals and guitar), Taylor Hawkins (drums), Nate Mendel (bass) and Chris Shiflett (guitar).
The band's self-titled debut album (1995) peaked at number twenty three on the Billboard 200 and was certified platinum in the United States. Their follow-up The Colour and the Shape (1997) charted higher, reaching number ten on the Billboard 200, and went platinum in the US, Australia and Canada. The "Everlong" single from the album was certified gold in the US. There Is Nothing Left to Lose (1999) was again certified platinum in the US, Australia and Canada. "Learn to Fly" was the band's first single to peak at number one. Foo Fighters' fourth album One by One (2002) was their first to top the charts in the United Kingdom and Australia. In 2003, the band released their first video album, Everywhere but Home, featuring live concert footage from the One by One tour.
The band's fifth album, In Your Honor was released in 2005. "Best of You" achieved the band's highest certifications for a single, earning platinum status in the US and Canada. Skin and Bones, a live album with videos, debuted at number twenty one in the US, selling about 49,000 copies in its first week.[1] The band's latest album Echoes, Silence, Patience & Grace (2007) topped the charts in the UK, Australia, Canada and Belgium; earning Foo Fighters more number ones than any other release. The album's singles also charted well; "The Pretender," "Long Road to Ruin," and "Let it Die" all topped the Hot Modern Rock Tracks chart in the US.
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How to Create Suspense in a Story
Instructions
Difficulty: ModerateThings You’ll Need:
- The desire to create suspense in your short story or novel.
First, you need to make sure both your protagonist (hero) and antagonist (villain) are very solid and well-defined. This applies to any main characters as well.
A common problem with action stories is putting more focus on the events rather than the characters. You have to keep in mind your readers will likely keep reading based on how much they care about and believe the characters. If you need help in creating characters, I've included a free template below. The best "name generator" for characters is also free--your local phone book.
Step2
Allow your readers to know both sides of the story.
One way to create tension is to give the reader a view of the villain's plans that the hero doesn't know. As the hero gets closer to reaching the villain, the reader will feel more and more internal conflict since they know obstacles in the way that the hero is going to encounter.
Step3
Use an A story/B story format.
You can see this in a lot of action-based television shows. At a moment of great suspense for one set of characters, the next scene goes to the situation of a different set of characters.
This shifting back and forth between parallel plots keeps suspense high. It also allows you to create the climax to the story that merges the A and B story. If you want a more complicated story, you can even do more than 2 sub-stories. Just be sure the reader can still follow what's happening.
Step4
Timing is important.
In any action or suspense story, there is almost always a time limit involved. This puts your hero under pressure and causes him or her to have to make quick decisions.
Step5
Keep adding problems and conflicts.
Your hero needs to be pushed to his or her limit, but not to the point of breaking. Just when the reader thinks one problem is resolved, throw another one into the mix.
Step6
Don't always do what the reader expects is going to happen.
If you read a lot of books or even watch a lot of well-written TV shows, you develop this ability to see what are supposed to be "twists" in a story before they happen. As a writer, you almost have to put more thought into it--doing what would even surprise you. This gives the readers something very unique and makes your work stand out. If an idea comes to you, you can always go back into previous sections of the story and drop a clue or two.
I hope you've found these tips helpful. Good luck to you!
